It's rare that a movie stands up to the experience of a book, it's even more rare when a movie is capable of enhancing the experience of the book to create a truly fulfilling cinematic experience. I found this to be the case with David Fincher's Gone Girl. Gillian Flynn, the author of the best-selling book the movie is based upon (which I reviewed here) wrote the screenplay, so I know that has a lot to do with the success of the adaptation. However, it's what Fincher is able to squeeze out of the material visually that makes this movie something dark, suspenseful and likely to disturb audiences unfamiliar with the original material. Even from the opening credits, the restless pace of flashing locations, with names fading as quickly as they appeared was setting the pace for this twisted and fast moving thriller.The film starts out with Nick Dunne, played to smug perfection by Ben Affleck, describing how when he thinks about his wife, he thinks about her head and cracking it open to try to understand what she's thinking. At this movie's core is a dark piece of relationship drama that anyone in a relationship can identify with: can you ever really know the person you are with? Think of all the trust it requires to lay your sleeping bones in bed with someone every night and believe that you know them and the love you share well enough to wake up okay the next day. Relationships often begin with each participant putting their best foot forward, living up to an image of the person they think they should be to keep the other happy. A lot of relationships end on a disastrous note due to this projection of falseness and the eventual discovery of who the person "really is."
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