Showing posts with label Movie Reviews. Show all posts
Showing posts with label Movie Reviews. Show all posts

Friday, October 9, 2015

Movie vs. Book: "The Martian"

I read Andy Weir's The Martian a few months ago (read my review here). The most compelling part of that story was the character of Mark Watney and the perseverance of the human spirit to survive. When I found out that Matt Damon was slated to portray Mark Watney in the film adaptation I was excited to see what he did with the character. Damon is capable of portraying seriousness, humor, pain and sinisterness...he's an actor. What I was most interested in was how Ridley Scott and Damon were going to balance Mark Watney.

Andy Weir's version of Mark Watney highlighted the character's humor and how something like that can go a long way in surviving horrifying situations. While reading the novel I speculated as to the deterioration of Watney's mental state, which was always masked in sarcasm and science, but the psychological impact was never thoroughly explored. This is one aspect of character that the movie was able to flesh out and show. Ultimately, the ability to show Mark Watney sink into depression or frustration before springing back out of it with his humor went a very long way. I was also horrified at the depiction of Watney's physical state as his diet changed. The contrast between Damon's fit physique in the beginning of the film and the emaciated malnourished shell of a man he became with a rationed diet of potatoes was shocking, and something that the film brought to life in the way the book did not.

Monday, April 13, 2015

Movie vs. Book: "Wild: Raw and Real"

I'm going to start this off by saying that I was pretty sure this movie would have significant voice over. I expected passages from the book read over top of scenes, Reese Witherspoon's voice retelling Cheryl Strayed's powerful journey across the Pacific Crest Trail (PCT).

Instead, what I got was probably more true to the actual journey itself; a sense of silence and introspection. Cheryl Strayed wrote her memoir about her hike on the PCT nearly twenty years after the hike occurred (click here to read my book review). Nick Hornsby adapted her story into a smart screenplay brought to soul stirring life by Jean-Marc Vallee.

Strayed struck out on the journey by herself with no sense of what she was about to endure physically or psychologically. She walked to return to her self. She walked to remember who she was and to find out who she had become after the devastating death of her mother. Cheryl's life spiraled downward and deconstructed her marriage, her path in college and her faith in any God that might exist. She was a hollow person seeking to fill herself through reckless sex and drug abuse. Her decision to hike the PCT undoubtedly saved her life.

Saturday, October 4, 2014

Book vs. Movie "Gone Girl": As Good As The Book

It's rare that a movie stands up to the experience of a book, it's even more rare when a movie is capable of enhancing the experience of the book to create a truly fulfilling cinematic experience. I found this to be the case with David Fincher's Gone Girl. Gillian Flynn, the author of the best-selling book the movie is based upon (which I reviewed here) wrote the screenplay, so I know that has a lot to do with the success of the adaptation. However, it's what Fincher is able to squeeze out of the material visually that makes this movie something dark, suspenseful and likely to disturb audiences unfamiliar with the original material. Even from the opening credits, the restless pace of flashing locations, with names fading as quickly as they appeared was setting the pace for this twisted and fast moving thriller.

The film starts out with Nick Dunne, played to smug perfection by Ben Affleck, describing how when he thinks about his wife, he thinks about her head and cracking it open to try to understand what she's thinking. At this movie's core is a dark piece of relationship drama that anyone in a relationship can identify with: can you ever really know the person you are with? Think of all the trust it requires to lay your sleeping bones in bed with someone every night and believe that you know them and the love you share well enough to wake up okay the next day. Relationships often begin with each participant putting their best foot forward, living up to an image of the person they think they should be to keep the other happy. A lot of relationships end on a disastrous note due to this projection of falseness and the eventual discovery of who the person "really is."

Friday, September 26, 2014

Movie vs. Book "The Maze Runner": Action Trumps Heart

By now, I suppose most people are either on the YA train or they don’t give a shit about it. I happen to be on that train, and not only do I inundate my reading repertoire with YA fiction, but I also watch the movies that studios have been popping out to a diminishing demand. Statistics, like hips, don't lie. YA movies, with the exception of The Hunger Games and that long ago saga of glittering vamps, consistently underperform in the box office. However, The Maze Runner actually came out on top at the box office its first weekend with $32.5 million, targeting a mostly male audience.

I’m glad teenagers are reading, and it makes sense that Hollywood would want to tap into the trending dystopian and paranormal fiction that dominates the genre. I mean, we need only look back to the explosion of the Harry Potter universe to understand that there is something magical behind books coming to life on the screen. It’s this adaptation from written story to screen that I want to focus on, because I find the adaptation of works of art through several different mediums absolutely fascinating. What makes the cut in the film? What parts of the story are molded differently to fit a tighter timeline in cinema? What depth from narrative can be portrayed through a well configured scene? What tones and themes can be relayed with nothing more than cinematography and score?

Thursday, September 19, 2013

Mortal Instruments: A Disaster

I am a fan of YA Fiction: compelling stories, coming of age character arcs, young love triangles and some
sort of necessary decision making that borders the line between good and evil. Needless to say that when I heard Mortal Instruments was going to be made into a movie - I felt that I owed it to myself to read the book prior to the Hollywood manifestation.

It doesn't happen very often that I become so irritated with the protagonist of a story that I am glad when the book is done (with the exception of David Eggers' A Heartbreaking Work of Staggering Genius which I set down and abandoned without completing). But in Mortal Instruments, Clary Fray was just too oblivious. The whole story centers around the fact that she has a gift of some kind. We find out that she is the offspring of two Shadowhunters, and so she too is a Shadowhunter.

Her gifts are buried beneath a Warlock's mental block built in her mind to keep her from seeing the world as her Shadowhunter nature wants her to see it. I just don't see the scenario of Clary transitioning into a Shadowhunter going very well, because Clary seems totally incapable of piecing things together.